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Monday, April 29, 2013

Les Demoiselles...



Pablo Picasso 'Les Demoiselles d'Avignon' 1907

Wednesday, April 24, 2013

Emo Morning Over Coffee, Or On Childhood Friends



Isn't it a funny thing: being with someone from your childhood, and it not being at all strange to be with them after years and years and years?

Why is that?

I think it has something to do with their presence tapping into a 'safe' place from which all you went on to do was psychologically built upon. A foundation! And a time when there was still such a thing as home, and death was something at the end of 100 years, give or take 20.

If your existence is building upon on memories and applying memories of those memories to life as its shaping in front of you now, then those people and the experiences you shared with them, even if the person becomes unrelatable to you over time, which is likeliest to happen, are one of the driving forces behind everything you do without you knowing it.

So when you are with them, you feel they've lived your life with you, or helped you live your life, even if they were never there.


Saturday, April 20, 2013

Wednesday, April 10, 2013

Summer Lovers

There's an mysterious and special place in my heart for ridiculous 80's films. I've been taunted by friends for liking widely regarded bad music in a serious way (i.e. cheesy 80's songs and "bad" pop songs), and I guess for the first time in my life I understand what they are talking about because I just watched what I acknowledge as a kinda bad movie (which I ended up still loving) with what I believe to be an amazing soundtrack, and thought- well, if the movie was recognized as ridiculous, is this music- so inextricably interwoven with this entire bad 80's world- also bad, and if yea, is that what people are talking about when they're puzzled by how I can like something so terrible? I mean, of course I don't logically think this soundtrack is contingent on the film's quality- they have their own life and contexts, and have nothing to do with each other, but regardless the general question was posed. To me, Randal Kleiser's Summer Lovers, the film that triggered this inner monologue, is so bad that it's absolutely brilliant. The sum of its parts somehow transcends the sexism, the bad acting, the fact that Peter Gallagher looks at the camera at least three times, the non sequitur dialogue, the almost nonexistent character development, and offensive use of exoticism into this strange pleasure that because it's this sort of audiovisual time capsule, I'm almost excused to love it from a distance. I did, however, love the theme of challenging your comfort zone, but that feeling sort of expired when there was no complete three-way romance and it was just the two girls sharing the dude for his kicks.



Some precious gems, if I may...



Thank you, Bun and Poots, for sending me this treasure of a DVD.
I can't fully explain why, but I will watch it whenever I need to remember who I am. And I don't mean that as a joke either!

Wednesday, April 3, 2013

Barry Lyndoning

My favorite...



“It was in the reign of George II. that the above-named personages lived and quarrelled ; good or bad, handsome or ugly, rich or poor, they are all equal now”
- William Makepeace Thackeray

About Me

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I'm an LA transplant now living in Brooklyn. I develop film projects by day, write at night, and have a dangerous predilection for vintage Robinson Golluber scarves- this blog serves as a tiny window to everything else I do when I'm not satisfying those first three passions. I'm trying to blog more and tweet less @annabelleqv. What about you?

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